(an earlier draft of this poem appeared in Word's Faire)
"Of god-ſent men embattail'd under ſtarres
That bent the shaken earthe to sund'ring warres,
Of their deeds, goddeſſe, ſing; of tryumphe ſtrucke
To make heartes wonder What The Actual Fuck..."
Grope lofty language showing the true modes
of the Epic Muse of Rome, and weird explodes.
No cute sweetheart, this Muse. It took Her keen
cold throat to sing a suicidal queen
sublimely burned, impaled.
With eyes pried shut,
ears can see blood purpling out of the gut
of sworded Dido. Her unstately face
warps a last Punic shriek the flames enchase,
a backspun echo of the bastard day
the children of The One That Got Away
met Hasdrubal and Carthaginian
peace sickened to cliché.
ears can see blood purpling out of the gut
of sworded Dido. Her unstately face
warps a last Punic shriek the flames enchase,
a backspun echo of the bastard day
the children of The One That Got Away
met Hasdrubal and Carthaginian
peace sickened to cliché.
Arms of a man
warring through rains of mythos, Virgil lays
a supple foot. Even the caesura plays
accents contrapunctally round the line
well-weighed, unorthodoxly superfine,
immaculately odd. Put to occasion
sheer worlds of taste, paced like a good persuasion.
warring through rains of mythos, Virgil lays
a supple foot. Even the caesura plays
accents contrapunctally round the line
well-weighed, unorthodoxly superfine,
immaculately odd. Put to occasion
sheer worlds of taste, paced like a good persuasion.
Intuition refined plucks at bane's harp.
Others are much more point-blank. Dark and sharp
with a horrendous sanity between
exquisite gasconades that steal the scene
at court, and history's rumble, Lucan comes
like a revenge of Muses at the drums.
Most metal of all music, loud he rings
battering, proud like pounding leaden wings,
battering, beating far beyond all doubt,
like something come to beat those tuning out
a mass grave chorus, chorally right and rude
to baritone an ungrieved multitude
with gusts of what it is that really blows
on mountains high in sanctimonious snows,
obstreperous on glory, an honest choke
of rhetoric, his godless Music spoke
spring minds that wept at song and knew not why
to tumble in thunder from a shattered sky.
So no this Muse is not a gentle one.
Excessive brightness from a summer sun
helps to conceive how dark She gets you.
See
a field of daysplashed flowers in Thessaly
beside the woodland where the farmer's boy
runs piping in the green and skips his toy
horse on the streams. Leaves let light trickle on water
a field of daysplashed flowers in Thessaly
beside the woodland where the farmer's boy
runs piping in the green and skips his toy
horse on the streams. Leaves let light trickle on water
from daylight perfect for Her Balkan slaughter
where javelined soldiers wriggle, a boy begs
hacked dad to live and tree-roots snap the legs
of horses who went mad where riders fell.
hacked dad to live and tree-roots snap the legs
of horses who went mad where riders fell.
Her language is the charm of weathering hell
to Man's savannah beast. At her Lucan best,
she's striking as a pilum through the chest
till the heart skips all beats. Gods know where
men got off calling this trick goddess fair.
She is as fair as life has been for most
humans who lived. A sheer Nobody's Ghost,
She stalks in warpaint and a cloak of scalps
to simper Latin as troops hurt on the Alps
in Fate-black humor, redpills you with bodies
dyed in the bright full moon whose face she bloodies.
At Her yoke, feral eras synchronize
under chill stars that scribble on gaped eyes
frosty sharp canticles of humans felled
in dynamos of regimes born, bled & knelled,
till fluent dread of things to come again
is scratched in proverbs on the tender brain.
She strolls to Rome with weird gems on Her fillet,
winks caustic pride at soldiers in the billet,
then trolls at court, bows crooked, smiles perverse
at Caesars, and haunts docti into verse
singing the victories & aftermaths
with eyes that know the gods are psychopaths.
To be the Muse's darling, come like Lucan
bemused in the best court a man could puke in,
dream canceling dream. His role unspooled life's roll
for Her. The murderous varier of the soul.
Nero did read him. From the first, it's blood
he wrote in. Flipped out spectacles and gluts
at court churned the grotesque to a lofty mood
for epic where men jagged each other's guts
sans gods or heroes. No such fey disguise
fit his rank Muse in gnarly Thessaly
who paid neronic price for sanity
watching psychosis blow through open eyes.
Art made the artist. Hideously wiser
each day to autocrats' gushes and kinks,
his jiggering plot boiled over in a plot on Caesar
at twenty five. As no throne-squatter thinks
of pardoning the treason of the sane,
he rendered unto Caesar from his vein.
Rome's epic muse is not a poet's wife.
Of Lucan, She asked little. Just his life.
The Epic Scope: The poem draws on the grandeur of classical epic poetry, channeling the raw power and dark themes of Roman legend, especially with the tragic death of Dido. The reference to Virgil and the "sworded Dido" brings forth the epic's emotional weight, drawing parallels with other great mythic tragedies.
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Language and Imagery: The language is rich and intense, using "sublimely burned, impaled" to describe Dido’s death with a visceral clarity. This stark imagery creates a haunting sense of inevitability, much like the classical epics that deal with fate and loss.
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The Role of the Muse: The "cold throat" of the Muse is a powerful metaphor for the unforgiving nature of tragedy and the serious tone of the epic genre. This Muse is not soft or sentimental; she cuts to the heart of the matter, invoking a sense of cold inevitability in her storytelling.
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Historical and Mythological Context: The references to "The One That Got Away," Hasdrubal, and the children of the legendary Carthaginian general connect the poem to the larger historical and mythical narrative of Rome’s rise and its brutal wars. These references help build the feeling that the personal and the political are intertwined in epic poetry.
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The Structure of the Poem: The caesura, or pause, in the line emphasizes the poetic craftsmanship and the importance of pacing. This technique echoes the musicality and precision of classical epic verse, paying homage to Virgil's meticulous structuring of lines.
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Subverting the Classical Epic: The poem also presents a subversion of the classical epic form, especially with its "immaculately odd" execution and "superfine" style. The unorthodox approach to phrasing and rhythm mirrors a more modern, perhaps even postmodern, exploration of what makes an epic tragic.
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